It’s been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked up in an institution, Myers manages to escape when his bus transfer goes horribly wrong. Laurie now faces a terrifying showdown when the masked madman returns to Haddonfield, Ill. — but this time, she’s ready for him. (Google)
Out of all the iconic slasher characters, Michael Myers has always scared me the most because of several factors of the character: the blank expressionless mask followed by the heavy breathing, how much of a giant he is, and the fact that you have no idea if he’s entirely human. Michael seems to have no real motive, and he’ll sit right up from a gunshot like The Undertaker and Kane- and the mysterious, unknown nature of the character has always frightened me. In this film, Michael Myers retains some of those same traits, but the film humanizes him a bit- he can still be wounded, but he’s like an uncaged animal- and if you wound him and corner him enough, he becomes even more dangerous than he already was. I also have to mention that the design of his mask in this film is incredible, it’s been aged and worn out to give it a gritty, grizzled look that works for this iteration of the character. Another cool thing is you never get a clear look at Myers’ face, you’ll get a profile, a close up of the side of his face, and shots of his glassy, dead looking eyes, and it leaves it to your imagination to fill in the blanks.
Jamie Lee Curtis returns as Laurie Strode, and the way her character is portrayed is a breath of fresh air. Obviously she would be traumatized because of the near-fatal encounter she had with Michael in 1978, but that event has traumatized her so much that she’s become a walking embodiment of PTSD, and this trauma doesn’t just affect her- it affects her relationship with her family. Michael has gotten to Laurie in such a psychological way, that Laurie is alienated by her family due to her paranoia.
Another thing I like about this movie is John Carpenter’s score. It still retains the classic vibe of the 1978 film, but it’s been revamped in a modern way using electronic synths and violins, and an interesting thing to note is Carpenter’s son helped write the soundtrack with him.
Something I have to mention is the fact that there are some false jump scares, which is a modern horror trope that gets on my nerves, but there’s enough real genuine horror moments that outweigh those few moments I was annoyed at. Another thing that normally bugs me is when characters conveniently lose IQ points whenever they’re chased by the antagonist, but I won’t really hold that against the film because it honestly feels like it’s embracing that trope of the slasher franchise.
One thing I will hold against this film, however, is that flat ending this film delivers. Look, I know that the original film didn’t necessarily have the most concrete ending either, and this is obviously a tribute to that film, but the reason why this one is inexcusable to me is the fact that they zoom in on a character holding a knife… and that’s where they cut to credits. That frustrated me, because what am I supposed to take away from an ending like that?
I appreciate that this film wipes away the other movies in the franchise, and it makes Michael scary again, but that flat ending bugged the hell out of me, and you lose points for that.
Halloween (2018) is definitely going to make fans of the Halloween franchise happy, and there’s no doubt it’ll do well in the box office, but the biggest critique of mine is that ending.
So, I have no choice but to give this film a 8.5/10 or a B+
To get the full experience: watch the original film and listen to the song “Stabbing in the Dark” by Ice Nine Kills, and you’ll be all set to see this movie!